We are in Benares, known today as Varanasi, a city on the banks of the Ganges River in northern India that holds a central place in the traditions of pilgrimage, death and mourning in the Hindu world.
The film opens with a shot of the city from the moving car the filmmaker is in. We see crowds of people, carriages, pedestrians and a flea market. The lens focuses on the so-called Naga saddhus, self-proclaimed saints and beggars, who are always found in holy places because Hindus feel more charitable after being purified.
The filmmaker continues with shots of the famous Benares Ghats, the iconic steps on the banks of the Ganges River, which serve as sacred spaces for Hindu rituals, bathing, cremations and daily life and afterwards with shots of the river with various bathers whose purpose is to wash away one's sins, to cleanse oneself – not so much physically as spiritually. As the boat continues to guide us along the banks of the river, we spot the Rana Mahal Ghat and Manikarnika Ghat, one of the holiest cremation grounds among the sanctuaries.
The view changes to shots of the city streets. The filmmaker records a parade. It is the procession of Jagat Guru Shankaracharya. This guru, from the city of Puri, claims to be a direct descendant of Guru Shankaracharya, the famous interpreter of Hindu scriptures.
The film closes with the city streets as the filmmaker leaves.